By Anikó Imre
- Showcases severe historic paintings and up to date exams of post-socialist movie cultures
- Features attention of lesser recognized parts of research, reminiscent of Albanian and Baltic cinemas, renowned style motion pictures, cross-national distribution and aesthetics, animation and documentary
- Places the cinemas of the quarter in a ecu and international context
- Resists the chilly conflict class of japanese ecu cinemas as “other” paintings cinemas by means of reconnecting them with the most circulate of movie studies
- Includes dialogue of such movies as Taxidermia, El Perro Negro, 12:08 East of Bucharest colossal Tõll, and Breakfast at the Grass and explores the paintings of administrators together with Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ¯u³awski, and Karel Vachek among many others
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Additional resources for A Companion to Eastern European Cinemas (CNCZ - Wiley Blackwell Companions to National Cinemas)
A Companion to Eastern European Cinemas (CNCZ - Wiley Blackwell Companions to National Cinemas) by Anikó Imre